land of the free

The Camino that can be measured
is not the Camino.
The Camino that can be mapped
is not the right road.
The Camino is not a road;
The Camino is a way.

Free. This Moses came down from the mountain and checked her tablets of wisdom at the door, rejoining the dysfunctional emotional bacchanal already in progress. Golden calves come in many forms – and there’s nothing like a gilded mirror to catch your eye and help you take a good look at yourself.

My mirror was a middle-aged man from California, a name-dropping class-chaser perfectly cast in the role of “Obnoxious American.” Loud and awkward as the worst tourist, he walked up into the holiest parts of the cathedrals where only the priests were allowed; when he asked us to explain what the Stations of the Cross were, his response was, “Oh yeah, when I was in Jerusalem, I saw those.” I turned away with my hands over my cheeks, fingertips rubbing my temples.

I, too, came from the mythical golden land of plenty – America. And I struggled with America. Having grown up poor, working in restaurants for tips and in nonprofits for next to nothing, I saw class as clearly as the lines demarcating lanes on our highways. But to the world, America tried to hide its poverty like dirty laundry in the closet when company’s coming. America was embarrassed by me.

What I had picked up along the way was summarized in a philosophy popular among nonprofit providers a few years back: learn the hidden rules of class. You couldn’t just change lanes. These weren’t lateral moves. If you tried to rise above the station you found yourself in at birth, you needed to be able to “pass” as one of “them.” You needed to learn the secret cultural language spoken by the class above you, because it took a complicated password to truly gain entry.

If you couldn’t pass, you’d be stuck in class pergatory, unable to get off the elevator at the higher floor where the party flowed with milk and honey, but now seen as having renounced your old friends, old neighborhood, old food stamps and Medicaid life for “something better.” Which was interpreted within the poverty class as, “You think you’re better than us.”

Unfailingly, people working in those nonprofits, social workers, counselors, housing providers, viewed this journey in one direction only: “Going up?” Like your own personal doorman, they tried to prepare you with hints for the great success that awaited you – if only you would change your clothes, cut your hair, take these classes, get that job, follow the invisible blueprint for success. No one seemed to take the time to learn the language of the class below. Or its values.

Attempting to liberate the oppressed without their reflective participation in the act of liberation is to treat them as objects that must be saved from a burning building.

— Paulo Freire, “Pedagogy of the Oppressed”

When I was an addiction counselor, I was astounded at the formulaic approach used to help people leave their habits behind. Actually, I was deeply disappointed, by a lackluster strategy of dry evaluation, boring educational materials offered in group settings resembling restless high school classrooms, and inane, chirpy taglines like “fake it ’til you make it” and “one day at a time,” when for some people, the thought of getting through the next 10 minutes was a white-knuckle experience, let alone an entire 24 hours. I knew staff, in recovery themselves, who swore by those mantras…so who was I to look down my nose at their beloved catch-phrases?

America – Love It or Leave It. We were a judgmental, opinionated, bumper-sticker society of self-indulgent rich kids high-fiving a never-ending adolescence; this was my judgmental opinion. Even our reformed addicts were arrogant in their sobriety. How would we ever heal our race and class divides when we were a nation of know-it-alls?

The truth was, I was deeply embarrassed by America. No longer a scrappy young upstart of a country, hungry and idealistic, we had become a soft, smugly comfortable middle-aged yes-man, combing over our money to hide our thinning values, driving a top-down, cherry red midlife-crisis through the world at reckless speed, sucking in our collective gut of wasteful overconsumption to try to seem hip and cool whenever the Scandinavian countries walked by.

So upselling the American Dream to homeless people was a tough pitch for me. It wasn’t completely a lie; it just wasn’t as accessible as it was portrayed to be. Little red, white, and blue lies. The corrosive lies of America’s beloved prosperity doctrine, which twisted religious faith by proclaiming that those who loved God most would be rewarded most – in unsequenced, unmarked bills, or by direct deposit to their off-shore bank accounts. I found the whole system profane.

If the structure does not permit dialogue, the structure must be changed.

— Paulo Freire

Rather than participate in counseling programs I just couldn’t buy in to, to no one’s surprise, I went slightly rogue. Not enough to violate ethics or endanger my counseling license. No, just different. A third generation artist, I took my experience and my community college education, my “connections,” and created an open art group at the homeless resource center.

We created a refuge for mavericks. The American homeless community is full of artists, people who see and hear the world differently, march to the tune of their own didgeridoo along their own Camino. We called it ArtSpeak; we spoke a common language.

They created their own rules for participation: you had to be kind to each other, and you had to respect the studio, which they called their “sacred space.” We decided everyone was in recovery from something – alcohol, drugs, mental illness, or compulsive spending, emotional eating, or internet fixations. The common thread was recovery from the trauma of homelessness.

We sat around long tables placed together, one big circle, and worked in all different media – charcoal, oil pastels, acrylic paint, photography, and also poetry, and rap. I started us off each week with a quotation I had copied onto the whiteboard. Then we would introduce ourselves by our first names, and comment on the quotation. Love it, hate it, indifferent to it or tangential from it, all comments were valid if they were respectful of the others in the space. The artists practiced speaking up for themselves, in the smallest and safest of ways. After introductions, they worked on their individual art…and often continued talking with each other. The sacred space held.

Now on the Camino, I seemed to have forgotten all the rules. I struggled just to be civil to a man I didn’t even know, whose story I didn’t know – because I judged him by his perceived class. Harshly. Less than 24 hours after declaring myself free. I was trapped in Camino pergatory, because I couldn’t figure out how to rise to my own next level.

The oppressed, instead of striving for liberation, tend themselves to become oppressors.

— Paulo Freire

To be fair, my Camino compadres were struggling with him, also. He kept explaining Our Superiority by telling them things like, “This wouldn’t be a problem in America,” such as the time he had to wait a few minutes at a private albergue for the hospitalera to check canceled bed reservations before she could tell him if he could come in. I had very intentionally ducked him that day after overhearing American-money-solves-everything propaganda streaming from his mouth.
I was mortified, and furious: a jerk in my sacred space. An American On Camino. God help us.

And then I had seen who he was talking to. It was Felix. He innocently introduced us on the spot. “Barbara is an American! From Colorado, yes? This is Ben – he is from California,” he offered graciously.

“San Diego,” Ben started with, as if this meant anything to me, having never been to California. I saw him shift into the familiar American Introduction Mode, where we exchanged opportunities to impress each other. I was already looking for the nearest exit. “What part of Colorado?”

“Many,” I said, turning toward the door.

“Many parts of Colorado?”

“Yup,” I replied, slicing off the conversation as I walked out.

 

oh say, can you see
by the dawn’s early light
what so proudly we hailed
at the twilight’s last gleaming

— Francis Scott Key, “The Star Spangled Banner”

 

Blinded by an unflattering reflection of America’s image, I could not see Ben with any of the broader perspective I had just called upon the previous day. However frustrated I was with myself, at least I had finally learned: once off track, ask for directions.

I asked Christoph and Cordula for help and advice. Cordula was a travel writer, and she had walked many Caminos, literally and figuratively. She encouraged me to be direct with Ben, because I was allowing him to make my Camino experience difficult. Christoph agreed, saying he had the same difficulty with other Germans, which made me feel better; we wanted them to remember they were guests in someone else’s country and behave like guests. Instead, they postured, critical and impatient.

I would be direct.

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The Camino led around a skinny canyon lake, several kilometers long. These reservoirs were created back home by damming a river at the end of a narrow valley and letting the mountains themselves hold the rising water. After a few hours, I saw the telltale floodgates here, as well.

But first, we hiked all the way around half the lake. Up the high hills surrounding it, then down, down, down those hills, until our path connected with the road that crossed the dam itself. The road then led up, up, up and around the other side. It was frustrating, seeing how far you would need to walk and making a snail’s progress.

The long and winding road led through a burned forest. Another familiar sight, this scorched earth. I could see that the fire had swept quickly across the steepest parts of the forested mountainsides, as some of the pine trees were only half-burned. I imagined the conflagration racing tree to tree in its insatiable hunger, driven by a furious wind, like the wildfires I had seen in Colorado. Like those old rages I had felt within myself.

But it was impossible for me not to see the new growth, as well. Bright, pale green ferns blanketed some of the protected groves; Spanish heather reclaimed blackened hillsides, butterflies dancing over the lunar landscape. The forest hues now ranged from orange-dead branches to coal black trunks to new and vivid green, and the contrast was striking, sad but beautiful.

 

I later explained to Joanna that there are many species of evergreens whose cones will only open and drop their seeds with the heat of fire. So the burning of the old forest was needed for renewal, new life.

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As we approached our next destination, Grandas de Salime, we heard rumors down the Camino of a festival in that town, which meant it might be tough to find a bed. Joanna and I sat drinking coffee at a cafe table, overlooking a grand view of the lake we had just hiked past. Now, Felix and Ben arrived with the news: completo. The albergues were full. There were no beds.

“I think there are still rooms here, if you decide to stay,” I told everyone at the table.

“Here? At this restaurant?” Ben asked, incredulous.

“Yeah,” I snipped. “Many of the bars also rent rooms.” I sighed. “Anyway, I’m going to take my chances, see what’s happening in Grandas de Salime.”

“Well, there’s the solution,” Ben said, leaning back in his chair. “I’ll get a room for us, if you don’t mind sleeping on the floor.”

Joanna looked extremely uncomfortable. “I do not have money for hotel,” she confessed.

“No problem,” Ben insisted. “Besides, I’ll talk them down. We won’t pay full price.”

I started laughing. “You’re going to ‘talk them down’? You think they will change the price for you?”

“Happens all the time at home,” he replied.

“Yeah, well, you’re not home,” I shot back. “We’re going,” I said to Felix, gesturing to Joanna, who was putting on her boots.

“So you don’t want to share because you don’t want to sleep on the floor?” Ben asked. “Felix and I can sleep on the floor.”

“I’ve got no problem sleeping on the floor,” I answered, putting on my pack.

“You won’t share because it’s me,” he added in a tone of voice that almost suggested a challenge.

“NO. WAY.” I glared at him, grabbed my walking stick, and headed out.

whose broad stripes and bright stars
through the perilous fight
o’er the ramparts we watched
were so gallantly streaming

— Francis Scott Key, “The Star Spangled Banner”

 

Joanna followed. Once we were up the road, Joanna burst into peels of laughter. “Oh, I love you, Barbara. You make me feel free. ‘NO WAY.'”

I laughed with her…but I felt like a fool. I couldn’t seem to stop myself. It was like 17-year-old me was throwing down the gauntlet, and all I could do was watch it happen. My true colors regarding America were streaming until they overflowed…but not gallantly at all. Class warfare was upon me like a fever. I was painting Ben with a very broad brush, thinking he could not change his stripes. The fight was on, even as Joanna and I passed beyond the huge retaining wall of the lake; crazy stars of self-righteousness gleaming in my eyes, over the ramparts we went.

Joanna was the best soul. She taught a course on pedagogy to 14- to 19-year-olds, in a boarding school. Pedagogy is the actual science of education, how it works; it is the art of helping people learn. Key concepts of pedagogy include motivation and critique. The kids came for a full school year, living away from home, learning how to learn.

I mentioned that it seemed they might be homesick. “Oh yes,” Joanna agreed empathetically. “They bring their daily troubles, and I like to talk to them.” Another key to pedagogy is developing relationships of learning.

“They trust you,” I said, a light slowly dawning.

“Yes, I think they do,” she answered with her adorable smile.

“Of course,” I added. “They feel your love. You are a safe person for them to talk to.” Still walking, I looked over at her. “For me to talk to, also.” I smiled back.

Because love is an act of courage, not of fear, love is a commitment to others.
No matter where the oppressed are found, the act of love is commitment to
their cause – the cause of liberation.

— Paulo Freire

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We had been cautioned by Felix, who had been in communication with a local hospitalero, that we would encounter a swarming mob of displaced peregrinos upon reaching Grandas de Salime.  In truth, Joanna and I were excited to see this. Based on the story told to Felix, I reasoned now, “If there are 50 or 100 peregrinos with no beds, they will have to open up something, a park, the deportivo, someplace for us to camp.”

Joanna nodded in agreement, “Yes, I think so.”

So we were disappointed with our anticlimactic reception at the gates of Grandas de Salime: less than a dozen…cows, grazing along the road. “Fi-esta! en Gran-dez!” I danced among the cows in my backpack, making Joanna laugh again. “Let’s see what’s happening.”

We found Christoph and Cordula at an outdoor cafe table, drinking beer. “We were just wondering about you two,” Cordula said, smiling. Christoph came back with drinks for us as well, gracious and without fanfare. We told them the news according to Felix and asked if they had found anywhere to stay. They confirmed that they’d heard the albergues were full, but Christoph had been told by one hospitalero that the albergues were calling the mayor, demanding he open the deportivo, the community gymnasium; unfortunately, the hospitalero hadn’t heard anything back yet.

“We thought,” Christoph added, nodding to Cordula, “that we would go to the mass, and ask permission from the priest to sleep on the church courtyard, you see?” He pointed to a fenced portico surrounding the church just across the street.

Cordula asked, “How are you doing with your American friend?”

“Oh! Terrible,” I shared, giving my most concerned expression, “and – he’s latched onto Felix now.”

“No! Oh no,” Cordula laughed, and Christoph burst out into a wonderful belly laugh.

“It’s true,” I added, relieved to be able to vent my frustration by gossiping about Ben.

“Felix can take care of himself,” Christoph noted with a wry smile. He was met with a chorus of disagreement.

“No, Felix is like a boy,” I explained.

“I want to adopt him and take him home,” Joanna added, laughing.

“Yes, yes,” Cordula agreed, smiling all around. We all wanted to adopt Felix.

“Well, he seems very sensible, to me,” Christoph said, drinking his beer, while I plotted aloud a campaign to “Free Felix.” We would need T-shirts, somehow.

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Refreshed, we went to the albergue so Christoph could get an update on the conversation with the mayor. To his dismay, the person he had thought was the hospitalero was simply a peregrino, a guest acting like they ran the place, spouting what should be done, not what they had any authority to actually accomplish. Our only hope now was the church.

Christoph was mortified. He apologized profusely, but we reassured him that his mistake was an easy and honest one. “You didn’t know,” we excused him.

“I should have asked him if he was the hospitalero,” he countered matter-of-factly. I squirmed at my own double standard; Christoph was easy to forgive.

We agreed to meet back at the cafe just before 7pm, in order to go to the mass. Joanna planned to go nap in the park. Just as we were separating, she got a message on her phone: come they have opened the deportivo.

While no one ever did hear from the mayor, the guy running the swimming pool was happy to walk over and unlock the gymnasium door – for Felix. He and Ben had arrived in town behind us, and had gone directly to the sports complex. Felix simply asked, and the pool guy said yes. So now we had a place to sleep.

As I stood at the cafe bar an hour later, paying for a gelato, Felix stepped up beside me, ordering a beer. “I need to get away from this man.”

“The American? Ben?” I made sure. He nodded, taking a long swig of his beer. We talked about how he might do that, first through various strategies, but finally settling on being direct. I told him that we were all behind him in his decision.

“All of you?” He cocked his head.

“Yes.”

“You talk about this?” He was shocked.

“Oh, yes.” I took a taste of my gelato.

Then Felix laughed out loud, looking down at the bar, shaking his head. I would need another
T-shirt for the campaign.

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Today’s pedagogy lesson was taught by Cordula, demonstrated by Joanna and Christoph, and practiced by Felix. I just sat at the back of the class and watched, struggling to learn how to learn.

I wandered deeper into the center of the small town, where crews were setting up opposing stages, flyers promoting a battle of the bands. Strings of lights crisscrossed over the streets, and banners promised fireworks after dark. But the battle had already begun.

and the rockets red glare
the bombs bursting in air
gave proof through the night
that our flag was still there

— Francis Scott Key, “The Star Spangled Banner”

 

 

 

Gorma Tales of the Camino: Song of the Cathedral

Gorma finished her morning coffee in the streetside cafe, then walked through the narrow cobblestone streets of the City of Cathedrals until she turned the right corner to find the largest cathedral of all, sparkling from being washed in the night’s rain, each raindrop reflecting the soft morning sun.

She stepped inside the huge wooden doors. All was cool, and dark, and quiet. As her eyes adjusted to the dim light, she saw arches of stone, forming long hallways, more arches joining across from one hallway to another, arches overhead for a ceiling. Everywhere, the walls curved to join hands in high arches, with colored glass pictures in all the windows, birds and animals carved into the stones of the arches themselves, flowers and vines carved around the doorways.

Here rested dark wooden benches, smooth as glass, lovely for sitting and looking. At the front of the cathedral, from floor to ceiling, rose a carved and painted wooden masterpiece of images of saints (who are the best of people), and heroes (who are the bravest of people), and great teachers and philosophers (the wisest of people). It was gilded, which means it was painted all in gold, so that even in the cool darkness it glowed, warm and inspiring, with all the great figures of all those great people. At the center of them all, a tiny baby was painted. For saints and heroes and the greatest of all teachers ever born were all once born as babies sweet, and played as little children do, so Gorma knew: great oaks from little acorns grow.

Beside the great cathedral hall were many smaller chapels, each as ornate and as fine, each different and special, so that many churches were contained within this largest cathedral in the City of Cathedrals, like a gift within a gift, each box smaller until you find the prize inside the final one. So it was within the cathedral, and as Gorma wandered from chapel to chapel inside, she heard a great bell, and saw people all entering one small door, and so, curious, she followed.

She found a seat on a smooth bench near the back and quietly sat down. A priest in beautifully embroidered cape and collar said some words in a language Gorma did not know. Then the people, like a living drum, recited back some words in this same language. Their faces shone, and Gorma knew they said words of love back and forth with the priest, as he encouraged them to be good, and kind, and work hard, being good neighbors to each other, and they in turn agreed to do their best every day, and then they said, “Amen,” which means “the end of these words makes a good beginning.”

Next, the people turned to each other, and with smiles and soft words, shook each other’s hands, offering peace and friendship all around. Gorma smiled and shook hands, and received many smiles and handshakes in return, especially a beautiful, bright smile from the young woman sitting behind her on the very last bench in the chapel. Her smile made Gorma feel very happy, and at last Gorma sat down again, with all the other people, feeling friendly and gentle inside.

Then, to her surprise, a voice began to sing, just one voice, alone and full of grace. And from the last bench in the back of the chapel, the young woman sang a song of hope – for we know the song, even when we do not know the words or the language. A song of hope is so special, so pure, so sparkling in the morning sunlight after a night of rain, that it swells your heart with joy, and your eyes fill to the brim with its beauty, and words will not come…because all you can do is listen, happiness rising inside like the arches to the ceiling, bright and beautiful as the stained glass windows above, warm like the sun coming from behind the clouds at last.

After the song ended, and the last echo of her perfect voice finally faded, the priest led the people from the chapel. Gorma turned to look back at the last bench, but no one was there. And Gorma knew that sometimes, there are great people right here among us today, on their way to becoming saints and heroes and teachers and philosophers, whose images have yet to be carved into the great, gilded altars of the great cathedrals. But their voices and their hearts sing out in the small chapels of the world, unseen, unnamed, precious and holy as angels.

Gorma walked out of the cathedral, quiet and smiling. She and Saint Thomas, her walking stick, left the City of Cathedrals by a minor road, and arrived at the next albergue just in time for a bed, for which she was very grateful, and she slept deeply. Outside, the church bells in the little villages rang out the hours, softly in the warm night, so as not to wake anyone from sweetest dreams.

Buen Camino, beautiful Song of Hope.

ship of stone

 

Sail your ship of stone
to bring us all the holy bones
that we must find when we’re alone
Ave Maria

Muxia far from Rome
to the cathedral that once shone
for it is there we will atone
Ave Maria
Ave Maria

— chorus of “Ship of Stone”

 

I began the day early – but not as early as Felix. As I started down the road, here he came, back to meet me near the albergue, asking, “Did you return the key?”

Feeling in my pocket, I sheepishly pulled out the room key.

“I saved you,” he smiled, reaching for it. “I will return this. Go, go on.”

The Primitivo. Even now, I had options, but I knew which road I was bound for this day. The Hospitales Route was the high road. Crumbling remnants of medieval hospitals for pilgrims, now nothing more than low, broken walls, marked the highest points of the path. Monks during that time offered their caring attention to those reaching the most difficult and dangerous part of the oldest pilgrim journey.

As I passed the sites, one by one, along the exposed trail, I heard Felix’s voice, the soon-to-be nurse transported to a past life high atop the Camino Primitivo: I saved you.

Felix was the only one who knew that I had an important day planned, and, true to his generous nature of kind concern, he made sure I didn’t miss it.

The healing road. Ailing peregrinos had only to knock on the door of the nearest hospital/hostel to find rest and accommodation until they were on the mend. Walking on dirt paths and rock, flowers everywhere, I was completely alone, just as I had hoped, with only the butterflies fluttering along ahead of me.

I passed among cows in high pastures, directly through the herds. Horses all bent their heads together, grazing the highlands; the foals trotted over to have a better look at me, but I continued on my way.

The weather on the Hospitales Route was notorious for impassable storms, I had read. Just like back in Colorado, the high country was unpredictable, demanding respect. Yet here I was, hiking familiar alpine-like terrain, under a familiar bright blue sky, the clouds rolling past, burning off.

I had feared the Primitivo would break me. But my legs knew exactly how to hike this path, my feet confident and sure. While the coastal trail had been new to me, I was at home on the top of the world. With no shelter along its windswept ridges, you come face to face with the truth – of yourself. The mountains will reckon.

there is no hiding
from the wind
it searches
everywhere

 

 

 

 

 

Midday, I came to the highest elevation I would reach. Stepping away, off trail, I approached the steep mountainside, where it slipped away to join more mountains and hills, as if in endless ranges. The time had come.

Carefully, on a level spot of grassy ground, I emptied out my backpack before I started, laying everything out along my beloved walking stick, Saint Thomas, the broken but strong embodiment of all my doubts about myself and my way in the world.

Standing again, I put on my empty pack, and I faced the sea, that greatest comfort for me.
La Mar. Her vastness lay before me, an endless witness. Seventeen-year-old me stood by my side, silent and sober. The wind sang around us, as I read the three poems.

you are my birth
mother nothing
more

you gave
me
up years ago

and have been
giving
me

up over and
over every
day

since

you do not know
how to mother
a daughter

you wanted a son

I am
the greatest
disappointment
of your young
Life –

a mirror

you are
the greatest
disappointment
of my young
Life –

my mother

I paused, feeling the words echo from the mirror itself. My hair blew around my face, bent over the small notebook as if reading from a holy prayer book.

threw rocks at you
oh my brother
to pay back
every touch
and every torture
young gladiators
circling in the arena
of our mother’s kitchen
for the only chair
at her table
yours
in the end
in the beginning
it was always
yours
as I fell
into wet ditches
where broken
field tile
cut my leg
to the bone
I have walked
with this scar
ever since
always

I remembered, every violation, every sick game gone wrong, every unholy smile and every penetration. I remembered afterward, walking past my mother’s turned back in the kitchen, time after time, my steps like the undead. I remembered how she refused to look at me, to see me.

The wind sang. I thought about the tiny boy, my brother, alone in the night behind unlocked doors, waiting for his mommy to come back to him. To save him.

The wind sang. I stood, remembering how, decades later, she finally told me what had happened to her. And how she had still been unable to stop lashing out at me, forever her lightning rod, taking the fiery fury of her deepest grief, this motherless child, with no one to protect her.

my backpack is heavy yes
I agreed
but I alone must carry it
and if I emptied every item out
still it alone
is heavy
my backpack
is my life
and if I emptied every item out
still it alone
has always been
heavy
I will walk
The Primitivo
I will walk
the far high trail
I will stand
among the mountaintops
and I will empty every item out
and find the stone
that heavy heavy weight
you
have given
me
with all my strength
from all these years
of carrying
my backpack
I will hurl your stone
as far
as I am
from you

Holding that pale, ugly, acned rock in my hand the entire time, I now gave it to 17-year-old me, who  took a deep breath, held it for an instant in time, and then threw the heavy stone with the deep-throated sound of a thunderous effort, a yell of protest and a cry for mercy and a rebellious shout of anger and sorrow. It was gone, my inheritance, gone away toward the sea, which was now sending thick clouds up and over the mountains, as if to claim it. I took it as a good sign, that the sea would take that burden, wash it from the mountains, and cleanse us all.

I packed up my backpack, holding and smiling at each item, carefully putting all the basic necessities of my life back into place. Then, with the practiced hand of a peregrina, I pulled my water bottle from its pocket and opened it. I thought of how impossible a task it had been for my mother to embrace me, to raise me, to safeguard me. Flicking my fingers into this holy Camino water and over this holy ground, I said the kindest words I could give to her: “I release you, from me.” I dipped the water again, and touched it to my forehead first, where someday that third eye of wisdom might grow, then flicked it out over the space again, saying, “I release me, from you.” I touched my heart, felt its beating under my wet fingers. I stood a moment, touching my own heart, and then, holding my hands open at my sides as if to the future, I said, simply, “It is done.”

And the wind sang. I listened to it for a moment, as if I heard something, a voice; then I picked up my stick, and I walked on. I crossed over the next mountain. I just walked, lighter.

Huge eagles circled the valley, riding thermals in search of prey, or guarding unseen nests. Suddenly, a gigantic shadow crossed the trail, as an enormous eagle swooped directly over me, so close I felt my hat lift, and heard the rush of its wings as it passed. I shivered at the thrill, ducking to my knees instinctively; but the great eagle was already circling back up above the valley once more. I thought of my father, who always wanted to return as a great eagle in his next lifetime, and I was pleased to think it might be him, come to check on me after my emotional day.

But the emotion running highest just then – was gratitude. Gratitude to understand, and to be able to let go, of all the heaviness of anguished loss, all the times I had to stand my ground and fight, all the times I had given up only to struggle on miserably afterward, all the endless, endless rage.

Gratitude, here on top of the world, under a sky that glowed that amazing blue. I felt strong, and capable. Felt young. Felt like anything was possible.

As I reflected on my small ceremony, wondering if it would have any impact on the world back home, my father’s eagle suddenly flew a circle around the peak before me, and a cloud instantly darkened the mountain.

“Whoa,” I said out loud, stopped in my tracks, as the sun immediately returned, and all the day remained bright, clear.

I knew then – I was free. I had not cast a curse; I had offered a blessing. A wild, strange, wholehearted forgiveness, circling the rock of misery to see it from all sides, releasing the massive weight like the highest, heaviest mountain that even the strongest and fiercest of eagles could never carry. Soaring beyond the deep, dark shadow. The warm light illuminating what could expand and rise.

These coincidences are mysteries to me, and I cherish them.

The song on the wind carried me the rest of that day. It was called “Ship of Stone.” I had entered the days of singing.

 

To forgive is to set a prisoner free and discover that the prisoner was you.
— Lewis B. Smedes

oh Saint James, first to die
among the faithful, I walk beside
the hayfields like you used to do
what it put your mother through

Mary and the mother of Saint James
crying out their children’s names
the holiest agony in their breasts
that nursed the sacred hearts at rest

sail your ship of stone
to bring us all the holy bones
that we must find when we’re alone
Ave Maria

Muxia far from Rome
to the cathedral that once shone
for it is there we will atone
Ave Maria
Ave Maria

never did Pelayo in his dreams
realize what’s happening
sons of mothers laid to rest
faith of mothers put to test

digging underneath the stars at night
there the bones are shining bright
but even in the silver box
cannot replace the life that’s lost

sail your ship of stone
to bring us all the holy bones
that we must find when we’re alone
Ave Maria

Muxia far from Rome
to the cathedral that once shone
for it is there
we will intone –

A-ve Marie-ia –

Ave Maria

— “Ship of Stone”

 

 

my august colleagues

 

a mist
settled over the hills
and never let go
every thing
dripping with birdsong
and moss

 

August had arrived, warm and wet. A day for going under my hood, to remember all the pictures of yesterday; however, my freedom from Beata allowed space to meet Felix, a tall, thin, 30-year-old Spaniard who walked up beside me and began chatting. Tall and inexperienced in the world, earnest and thoughtful in his black glasses and wild black hair, he soon asked to walk along for a while.

Felix was changing careers and changing his life. He had just left his job, and just ended a relationship with a girlfriend. He was sincerely puzzled by the way that his acts of kindness and generosity had been interpreted as creating a debt owed. He told me he had given his girlfriend a simple gift, a gift he could easily afford on his fulltime IT job, an e-reader so she could read books as she traveled about. He thought it would make her happy. He thought he could make her happy, by giving her caring attention, thoughtful gifts, gifts of himself and his time.

“You didn’t do anything wrong, Felix,” I told him. “You just gave the right gifts to the wrong woman.” He considered this possibility for some time.

Felix was quirky. He minimally filtered his thoughts, words, and actions, which was both refreshingly endearing and odd, almost socially subversive at times, though in a harmless, delightfully Felix kind of way. He was back living with his parents while he enrolled in university, bound by obligation to his family, an uncomfortable fit after his fledgling independence. But it was plain from his stories that the dynamic would not last. Upon visiting an aunt’s home, the family sat awkwardly, hardly talking but disinclined to any other activity. “So I just left,” he said. “I told them, ‘See you later,’ and I went out. Was this wrong? But I could not stay there any longer.”

Without filters, we had rich conversation about our life choices, thoughts and feelings, and I found out how much he cared about the people around him, friends with depression, his own struggles. His new career choice: he was going back to school to become a nurse. When I asked him why not a doctor, he answered immediately, “Oh no, I do not want to be responsible for people’s lives. I just want to help them feel better. I want to be the person who pushes them in the wheelchair down the hall, telling them everything will be okay.” I constantly wanted to hug Felix.

Midday, we walked up a hill and found a peregrina eating her lunch at a picnic table beside the road, under a sheltering tree. Behind her, a fence kept the local cows from wandering away; they were having lunch as well, nibbling at the longer grasses in the fenceline.

She hailed us, and so we stopped to say hello and rest a moment. Her name was Joanna, and she was from Krakow. Joanna was one of those ageless people. She had an infectious, gap-toothed grin, a tiny space that reminded me of a legend I had read. The opening was said to be made when the spirit of God passed through the child as they were being born, creating the smile, the sign, of a holy person. She radiated love, and I began to wonder.

I asked her about her day’s trek, and her Camino destination, and she, too, planned to go all the way to Muxia. As we were comparing notes about how far to our evening’s albergue, Felix interrupted us mid-sentence to give us a news bulletin in a very serious voice.

“I think that one is pregnant!” He was bent down, pointing at one of the cows across the fence.

“Yes, I think so,” I confirmed, and then we resumed our conversation. Joanna smiled her lovely smile – and thus she was introduced to Felix.

*       *       *       *       *       *       *       *       *       *       *       *       *       *       *       *       *

By evening, we got to the albergue at Bodenaya, unique and quirky too, known for its communal meals and hospitality.  The hospitalero DavÍd met us at the door to give us the unfortunate news that there was only one bed left.

“You have to take it,” I argued with Felix.

I turned to DavÍd. “It’s his first day on the Camino – he just started today. You still do communal dinners?”

“Oh yes,” DavÍd replied, smiling at Felix.

“This is my first Camino friend,” Felix told DavÍd, giving me a side hug. I felt like I was dropping him off for his first day of school.

“He has to stay with you,” I told DavÍd, nodding toward Felix.

DavÍd looked concerned and ducked into the albergue, saying, “Un momento, por favor.” When he returned, I saw that he was very emotional. He held a small yellow arrow pin in his hand.

“This – is for you,” he said to me with a quavery voice, tearing up. “Each day, I give one arrow to a pilgrim. You give – your friend – last bed,” and he broke down sobbing, hugging me. I hugged him back, patting his back. The only words I could think to say were, “So much love…so much love.” I knew they were the truest words; why not say them. I leaned into the embrace.

I walked on through the thickening mist, like carrying DavÍd’s tears and hugs with me. I reached the next albergue just as it was becoming too dark to see. An equally friendly hospitalero introduced me to Mauro, an Englishman with an Italian name.

Mauro had gotten his name from his Italian father. He had traveled extensively, doing custom construction projects to fund his trips. We had a wonderful time talking and drinking sidra at the albergue. He invited me to dinner with him in the misty village just down the hill, and it was excellent – noodle soup, pork and potatoes, wine and bread, homemade flan for dessert.

We talked of our life choices and values, politics, the soaring feeling of cathedrals, writing and music, the satisfaction of living unconventional lives. Another interesting and intelligent person.
I felt so lucky to be meeting the most remarkable companions on my journey.

*       *       *       *       *       *       *       *       *       *       *       *       *       *       *       *       *

The next day, Felix caught up to me easily. We discussed the fact that, the following day, we would cross the high mountains of the Primitivo.

I was hoping for a wide open expanse, like a wilderness, a long view, though we were not far from anywhere here, really. I had written words I wanted to read aloud, three poems, and had transferred them into my pocket notebook. I had planned a ceremony, and as I turned it over in my mind, it felt right. I only told Felix that I would need to walk across the high part of the Primitivo alone, that it was important, and I would see him on the other side.

“Of course,” was his only reply, nodding.

Slow though we liked to walk, we were making excellent time, and decided to take a small detour to see the Santa Maria de Obona Monastery. According to my guidebook, it was founded in the eighth century, growing into a local economic and cultural center by the Middle Ages. At one point, during the 13th and 14th centuries, it became, “by order of royal privilege,” a mandatory stop along the Camino for all peregrinos.

As we approached, whom should we see resting in the grass but Joanna. The man she had been walking with, named Christoph, had gone up the hill to the nearby village to see if a key to the church could be had.

At the church itself, we found a sign that explained the monks had taught both formal classes in Latin, philosophy, and theology, as well as better agricultural practices to improve crops and livestock. The building was amazingly well preserved, an old Romanesque structure, solid, imposing.

We didn’t have long to wait before Christoph appeared, jingling a key from his fingers. We cheered, and thanked him for hiking up the steep road, but he only smiled and said, “Let’s have a look, shall we?”

Christoph’s wide smile, dark hair and beard looked familiar; he had been reading in a lower bunk at the schoolhouse albergue where Beata had been unable to stop talking. I felt momentarily embarrassed that he might think she was my chosen traveling companion at the time; then I realized, she was. In my mind, 17-year-old me threw up her hands, making a “get over yourself” face. People would just have to get to know me.

As I looked up from my seat in the grass, a calmer thought came unbidden: “This man wants to follow the path of a monk.” I didn’t say anything, but found it interesting. Maybe he looked like a monk. I, too, had had a similar desire, still considering a yearlong stay in a Buddhist contemplative center in New Mexico. I decided to honor the intuition, or at least respect it. Who knew who he might be.

Christoph opened the church, and we found ourselves in a small entry of utter darkness, separated from the world by a heavy wooden door. But one door further, and we stepped inside a great quietness.

The stones stood silent. Christ hung on his wooden cross, floating above the central aisle, suspended in space and time, his face familiar as a fellow peregrino.

Behind him, a wooden altar held his mother, other saints, and his own painted image, his flaming sacred heart bursting forward from his chest in a golden aura, far more glorious than the halo encircling his head.

We slowly walked the interior, taking photos, silently awed by the power of this simple church. And then Felix became offended.

“That should not be there,” he said suddenly, showing Christoph and Joanna a packaged candy hung like a parasol on the elbow of San Roque, the saint who walked his own pilgrimage, to Rome. San Roque always lifted his robes to show he had an injured knee – the same knee I had scraped on a downhill slip one rainy morning. For me, he was the patron saint of skinned knees.

“That is not right, is it?” Felix now asked Christoph, who allowed that no, San Roque should probably not be holding a parasol of candy in the crook of his arm. So Felix removed it, and felt much better. He gave the candy to Christoph.

When we exited the church, Christoph locked it carefully and said he would return the key quickly. Felix offered to go with him. “I will bring us back beer,” he winked. And so, upon their return, we sat in the grass of what may have been the graveyard, under shady trees, near a tall carved stone that was maybe a grave marker or a fountain at one time, and drank golden cans of San Miguel beer, toasting each other and the Camino as we ate the stale chocolate found within the offering to San Roque.

A more holy communion was never observed, as we sincerely and joyously wished each other salud and buen camino. The word “communion” means “sharing in common,” after all; and “holy” means sacred, and worthy of devotion. I had no idea at the time how true this would be.

Interpreting my photo of the informational sign later, it quoted an ancient document which noted payments to be made to the monks for their services: “servants should receive cider, if possible.” Amen.

*       *       *       *       *       *       *       *       *       *       *       *       *       *       *       *       *

In Campiello, a surprise luxury awaited – a bath. The two albergues had filled their common rooms quickly, so I was offered to share a double room. With Felix. Perfect. We both grinned at our good fortune.

We feasted at a huge peregrino dinner, set out on a long, long table, all together, recognizing and greeting each other, filling each other’s glasses and soup bowls. We delighted in each other’s jokes and songs, including a rousing “Feliz Cumpleaños” to a woman named Cordula, slowly finishing our meal over rice pudding, talking quietly out into the darkening evening. Mauro and Christoph had already met, and were deep in discussion. Joanna was beloved, hugged with joy by a young French couple, themselves newly and deeply en amor.

August is a time, and also a description of honor, meaning venerable, celebrated, esteemed. It can even mean hallowed, sacred. My respect and admiration for my fellow peregrinos was flowing like sidra, an endless waterfall of sparkling personalities and rich experiences. I’d had better moments with new friends here in one month than years at home, trying to connect, trying to maintain connection. Here, I was a peregrina. Here, I was European, if I liked. I was just one of them. Us. Here, I fit in, and felt honored to do so.

I looked down the table at Felix, so happy to sit with all the other young Spaniards, drinking and laughing. So much love. I felt a sense of preparation, cleansing and eating and drinking and enjoying community, before my long sola day in the mountains tomorrow. I stood watching the sunset color the sky before turning in.

carved corner table in a roadside shrine

I was carrying my own yellow arrow now, following myself, the map pressing itself into the lines of my imperfect and very human hands.

 

 

 

 

 

 

 

My Camino Guide: evolution of your guidebook

  1. Check stores, search online, find best of few guidebooks.
  2. Read and re-read guidebook at home, underlining, making notes.
  3. Carefully pack guidebook in plastic to keep it dry.
  4. Carry guidebook in jacket pocket or top of pack to consult easily.
  5. Day 1: what the fuck! 26.5 km, terrain = 5 on a scale of 5 (which means “Climb straight up a ski run. Twice. Enjoy the blisters.”).
  6. Day 2: mistake?? 19 km, terrain = 5 (which means “You are old and out of shape, no matter how much you hike or run at home.”).
  7. Day 3: WAITTT a minute here. I take breaks at home – why am I not taking breaks?
    24 km, terrain = 4? NO. I know what this means. Set my own goals each day.
  8. Too bad – no bed at the albergue, so actually hike 28.9 km. Plan, plan, how to do this?
  9. There are albergues along the way that the guidebook doesn’t list. Private ones. The cost a little more and save your feet. Stop at 3pm. Daily. Pay the extra 5 euros.
  10. If the guidebook says 30-36 km, split into two days.
  11. “Fork right” is useless.
  12. “Take a minor road” means the writer has never walked this stretch, as they are ALL minor roads.
  13. If the guidebook says “there is nothing to see here,” the writer was hung over that day.
  14. All towns with bars are mentioned in the guidebook.
  15. Stop at every beach. Even if it means missing a bed. Totally worth it. Don’t just walk them. Live them.
  16. Two 30K days make three nice 20K days.
  17. Do not choose a resort town as your day’s destination: completo.
  18. Schedule rest days. Sabbath matters.
  19. Always take time for a coffee. Always.
  20. Just follow the yellow arrows.

 

 

Karolin the Fairy and the Tame Fox

Gorma stood trying to read the signs along the path, signs which had once been written clearly but had now been painted over, scratched out, and worn away, so that their original wording and intent were totally unclear. As she was puzzling over these confusing signs, she heard a small voice, like the sweet chirp of the smallest bird, and so, following the dancing butterflies who twirled down the left path ahead of her, Gorma soon found the source of the tiny sound.

It was a fairy, named Karolin, and she was tending to an injured lizard whose legs were too tired to skitter him along the stone wall beside the path. “Yes, I know the task is hard, and it will indeed make your legs more tired, at first. But if you do the healing work, and practice, you can regain your quickness up and down the wall, I promise you,” Karolin encouraged the lizard. And off he went, with bandaged joints, to practice how to quickly skitter-skitter.

Gorma called to Karolin, whose bright smile lit up the path. Her wings, like a dragonfly’s, quickly brought her to Gorma’s side, and she hugged Gorma with great affection and delight. “Oh, Gorma, Gorma, how wonderful to see you! Always I smile when I know you are beside me.” For Karolin’s great talent lay in healing all the wild ones in her domain, and sweet words of encouragement were a ready part of her medicine.

Gorma walked along as Karolin flitted on her dragonfly wings from one to the next of her patients. Here a blackbird ached with a wing that had been broken; now the wing had healed, but it still hurt the bird to fly. “You must not give up, darling blackbird,” Karolin cajoled. “Your mended wing will be the stronger for having been broken. Do the healing work, and practice letting go the pain, as we’ve worked on all along. You will fly away in no time, now,” Karolin explained, smiling.

Next, a wildflower struggled just to face the sun. Karolin, like all sweet fairies, hovered over it, and softly whispered, “Grow, grow.” For the fairies of this world wish for all the beauty of our wildest natures to grow strong and be revealed.

As they sipped clear water where it trickled like a song over the smooth stones, Gorma became thoughtful, realizing how she might have need of Karolin’s help.

“Karolin, what good could you do for a tamed creature? Would your medicine be able to heal him, as well?”

Karolin looked up, shaking water from her hands like a blessing over the little fish in the stream. “Oh, Gorma, Gorma, the only medicine I have is to find each patient’s will to heal, and harness that. For each body may be healed, it’s true, by herbs and wraps and rest. But the body must be used to live the life. And broken wings will hurt to fly, at first, until they’re stronger at the broken places than before.”

“So it must be,” Gorma nodded, “yes, I understand. And yet, I think your healing might be just the thing.” So at Gorma’s urging, Karolin followed her down the path to where it opened near the outskirts of a village. And here, lying in the sun along the path, dozed a rusty-orange fellow with a lovely, short black beard and black tip to his tail. He was beautiful to see, and it was a shame to wake him, but that is just what Gorma did.

“Saulomon, I’ve brought a friend,” she offered, and introduced him to tiny Karolin.

“Saulomon, how nice to meet you. I am a fairy, as you can see. But might I ask, what kind of creature are you?”

Saulomon stretched and smiled and winked an eye. “Why of course, I am a village dog,” he fairly sang, in his wild and carefree voice.

“A dog?” Karolin replied. “I’ve met no dog as rusty-orange as you, with short black beard and tip of tail. What breed of dog, and to which home do you belong?”

“I do not know. So maybe that’s not right. I think that I am actually a cat,” Saulomon replied, licking his front foot as if it really didn’t matter, a manner like a cat, but not a cat at all.

“A cat?” Karolin cried. “Can it be you do not know?”

“Or a chicken! How I long to live among them in their little cozy house. It all seems so delicious in there,” Saulomon said longingly, but with a naughty grin that Karolin caught at once.

“Oh, Gorma, Gorma, can it be? This fellow feels wild, but I fear he has tamed himself in hopes of comfort and ease. Can this be so?” Karolin asked, clearly concerned now.

“Indeed, little Karolin, it is far too common an occurrence, unfortunately,” Gorma replied, and they both watched Saulomon try his best to walk with his four furry legs like a two-legged, bony-legged chicken. “It’s quite funny, at times…until it becomes quite sad.” At this, Saulomon tried to howl with the village dogs, but only managed a quick squeal and a few high yips.

“That’s quite enough,” Karolin interrupted, flying directly up to Saulomon’s face and stopping him mid-yip. “The question is: do you wish to heal, or do you not?”

Saulomon looked shocked. “Heal? Am I sick?”

“Oh, in a most terrible way, Saulomon,” Karolin replied seriously. “You are wild, but you are tamed – you have tamed yourself.”

Purring like a cat, he asked, “I am wild, so you say?” And now Saulomon slid charmingly past Karolin’s soft arms. “How wild am I?”

Karolin’s cheeks flushed quite red. “There are many kinds of wild,” she nodded firmly. “You have forgotten most of them by now, save your sly charm.”

“Mmm, ‘sly charm,’ she says; I like it,” Saulomon smiled, winking once again.

“So you must choose,” Karolin held firm. “Do you wish to heal your wildness, or do you wish to go on pretending you are tame?”

“It’s so easy, really, dear sweet Karolin,” he answered. “I have them all fooled, you know, the villagers.”

“The only one you are fooling is yourself,” injected Gorma. “Saulomon, I bring you a healing fairy, and you flirt instead.”

“Ah, Gorma, Gorma, I like flirting – it’s in my blood, and in the tip of my beautiful tail. Oh, all right,” he gave in, seeing Gorma’s eyes. “Dear Karolin, if you can heal my wildness, then that is what I wish.”

“I cannot,” Karolin spoke up. “Not me. Only you.”

Saulomon looked shocked again, and annoyed. “I do not like these riddles! First you badger me, and now you leave me to my self.”

“Oh no! No, Saulomon,” Karolin replied kindly. “I will help you all I can. But you must do the healing work, and practice, and then you will be wild again.”

And so they set to work that very hour, and Saulomon worked very hard, for he had quite fallen in love with the little fairy. He practiced keeping to the treeline at the edge of the pastureland, and weaving among the shadows. He dug a smooth den into a little hillside, and finally found a delicious beetle to eat, which he hunted and caught all by himself, he was proud to tell.

As the day wore on, Saulomon spoke less and less, and playful though he was, a certain shyness crept upon him, and he stayed among the tall grasses more, and off the open path. Karolin called and called his name, and finally, he trotted out at twilight, hardly visible even to her clever fairy eyes. “Saulomon, you are the best patient I have ever had! You’ve learned to love your wildness well! I think you will be fine. Shall we start again tomorrow in the morning?” and here Karolin gave Saulomon her warmest smile.

“Mmm…I think not, sweet Karolin,” Saulomon replied quite smoothly. “I agree, I am recovering most wildly and well. Which is why I will be on my way, my beautiful, kind fairy. You can come away with me, if you would like.”

And now Karolin blushed red again, and said, “But who will heal the others?”

“Yes, so true; it’s you will do this healing. How I love you, little fairy, but I must be on my foxy way. I cannot stay.” And with that, he simply vanished into evening, and the setting sun saw just the tip of his tail before it slipped out of sight. Karolin was sad, but smiled, as she did when all the wild creatures in her care were free again. Then she flew back to check the blackbird’s wing and the lizard’s legs, hugging Gorma affectionately as always before she went, and saying goodbye.

Gorma walked on, quiet and smiling. She arrived at the next albergue just in time for a bed, for which she was very grateful, and she slept deeply. Outside, the fireflies’ flickering lights guided the sweet fairies on their dragonfly wings, bending over each sleeping meadow flower, whispering, “Grow, grow.”

Buen Camino, Karolin and Saulomon.

 

we shall be free

my backpack
is heavy yes
I agreed
but I alone must carry it
and if I emptied every item out
still it alone
is heavy
my backpack
is my life

 

At the Museo de Bellas Artes de Asturias, I saw 19th-century landscape paintings of places I had just been. Paintings about the apple harvest, and cider-making, the people’s workaday wear like colorful peasant costumes. A tall painting of a young woman with two children captured my attention – her face was so exhausted. Children in many paintings, running down the beach, helping with the harvest, and one who drowned, the father’s face a portrait of anguish.

The museo had an El Greco, a Picasso, and a Dali, but I sought the Asturian painter José Uría instead: his “After the Strike” was so dark, and so human. The lighting he created told the story.

Like the cathedral in Santander, the museo had a section of glass floor. Underneath, the stones below the museum turned out to be a very early Roman fountain, stylized by Asturian design. It dated to the years 400-424 CE. I could look down and see the drain for the water, and marks where a huge heavy stone had been set to seal the fountainhead.

“Walker that walks right to eternity, leave me here an alm”

What wonders found beneath my feet, and all for free. Art for free. Painting, sculpture, Roman architecture, the opera and the theater that is Mass. All for free.

On into the countryside, I slept next in an old school at Venta del Escamplero, a cornfield across the road, amid hills, and farms with cows, and dogs barking, crows squawking endlessly. I had now seen apple, pear, lemon, orange, and eucalyptus trees; grape, black raspberry, and kiwi vines; oh, and plum and apricot trees, too, as of yesterday. Most mornings, I found a handful or two of raspberries for my breakfast. A tiny pear was delicious. This day, three little perfect plums blown down by the wind. A windfall. I only ate what fell into my path, or was branching out toward me into the path, never reaching through or over any fence. No stealing, just pilgrim bounty, which I superstitiously adhered to, lest I tempt Fate to cast its Evil Eye my way.

Enormous succulents grew along the roadside – I felt fairy-sized as I saw prickly pear cousins with pads the size of dinner plates, and mother-in-law’s tongue with sword-shaped leaves as big as me. Geraniums, roses, and hydrangeas were garden favorites, and, with the succulents and what I thought of as “house plants,” overflowed pots on every windowsill and doorstep and at every gate, plump, beautiful colors filling towns and villages. Everything bloomed; color and aromatherapy, no charge.

Today started as one of those easy days where you walk with someone and the kilometers fly by. I met Beata from Poland. Only a couple years older than me, she had two daughters whose ages were similar to my daughters’, and she taught sign language. We talked about communication, the hidden culture of the deaf; we talked about our daughters; we talked about ourselves.

At one point, Beata had commented on how big my pack was, that it looked heavy. I agreed, telling her I often gave things away to lighten my load, but the pack itself was older and heavier than the new ones, so it was never going to be light. Beata suggested I use the postal service’s pack transport service: for a fee, your backpack is hauled in a van by postal workers to the next albergue you designate.

“No, no,” I responded. “No one can carry my pack for me. Only me. I have to carry it.”

“Many Americans like it, so I thought you might like it,” she answered.

“Many Americans use the pack service?”

“Yes.”

I sighed, embarrassed by Americans abroad once again. “I will carry my pack. But thank you.”

Beata’s grandfather was a World War II hero, a Polish political resistance organizer who was arrested and sent to the concentrations camps. There he was shot, so he could not use the power of his words to organize the prisoners. Since then, it had been very hard for the men in her family to quite measure up to his superstardom; I taught Beata the phrase, “a hard act to follow,” and she agreed.

The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.
— Albert Camus

I thought of the power of our words to shape images, unite or divide people, liberate possibility or chain to stone the ideas of who we were, or what we could become. I had been talking a lot about socialism with many of the Europeans along the Camino, and had come to believe that a mature America would take a democratic-socialist stance – the fact that such a wealthy nation allowed any of its citizens to be hungry, homeless, or sick without medical care was truly obscene.

But American salesmanship of image was one of our greatest talents, and the Europeans I had met were very surprised to learn that, until I sold my house, I was poor, that my career was helping homeless Americans, and that many of us could not afford housing. However, they quickly understood that corporations run the country, as they connected the ownership of newspapers and TV, of pharmaceutical companies, of insurance, of health care, of real estate, banks – almost all corporate. And these powerful corporations paid for the campaigns of politicians, and got them elected. So America was actually a capitalist republic, not a democracy, owned and operated by a select few, and we talked about how close this looked to fascism.

Fascism is a systematic control. A dictator wields power from an autocratic position on high, immune, untouchable, forcing behavior and crushing opposition. Resistance is futile. Yet the very system foments rebellion. I was living proof.

For Beata, it was also personal. Fascism had murdered her grandfather and so much more. It had stolen the future. The men in the family were a continual disappointment to the women in the family, who could never protest enough. The Resistance would never die. By turns scornful then fearful, the women wanted nothing to do with the men they had chosen to stand at their sides, between them and a world they found all-too-frightening, a world of harsh consequences. So they complained.

It is difficult to free fools from the chains they revere.
— Voltaire

Braying like the donkeys we passed in fenced pastures along the way, Beata had learned to nitpick and bitch, gripe and swipe at the small details of life that she stacked up as proof of abuse, treachery, and danger lurking everywhere. They didn’t have green salad on the pilgrim’s menu. No fish. The flan was pre-made. The beds were creaky, mattresses thin. It was drizzling outside; our laundry would never dry.

When she wasn’t making negative comments about the food, the bar owner, the hospitalero, or the albergue, she was startling – violently – at every encounter along the way. Every encounter. Every dog bark made her physically shake. Every car that passed caused her to literally jump off the roadside into a ditch or driveway. Every person walking behind us disturbed her enough that she continually turned around to keep an eye on them.

Her energy was draining. At first, I tried to reassure her – “that dog’s on a chain” or “oh, I met them, they’re nice” – but it made no difference, so I quit. She had mentioned that she didn’t navigate well, and on previous trips she had found “guides” for her caminos who led her from one albergue to the next for weeks. I realized I was being groomed, giving her directions, finding the arrows, tending her never-ending fear.

Man was born free, and he is everywhere in chains.
— Jean-Jacques Rousseau

I suspected she had a lot more trauma in her past than her grandfather’s story. Much like my mother, I recognized with a jolt. My heart went out to Beata. My mother’s energy was a big part of why I was hiking the Primitivo. To let it go – literally.

I carried a hideous rock under one water bottle, a beauty under the other. Balance of a sort. While the beauty was red, gracefully shaped and textured, found along the Camino, a part of the Camino, the hideous rock was from my mother’s town. From a parking lot. At a strip mall. The town where I had graduated high school. Beige, with pinkish lumps all over it like acne, I really disliked the look and feel of that rock. Which was why I picked it up.

I had wanted to bring a burden stone with me, to let go of at the end of my Camino. I had thought to throw it into the Atlantic; but lately, I had realized I would be letting it go along the Primitivo. Ashes to ashes, dust to dust, ancient to ancient. The old energy of fascist trauma would end by taking the high road. I would leave my mother’s misery on the mountaintop.

Now I’ve been free, I know what a dreadful condition slavery is.
— Harriet Tubman

But first, I had to leave my mother’s misery immediately. We had stopped at a bar to use the toilet and get a coffee. I drank mine quickly while Beata used the restroom. When she returned, I talked to her about preparation for the next stage of my journey, and told her I would be walking on – alone.

Among the peregrinos, it was understood that anyone, at any time, could decide they wanted alone time. People had walked away from me repeatedly, for weeks. We would smile and wave, and sometimes saw each other again, sometimes not. I now invoked this privilege, with minimal preamble.

For Beata, in the moment I smiled and wished her a “Buen Camino,” it was a horrible betrayal.
A grown adult, she was immediately abandoned and fearful, on the Camino she had set out alone to walk…no hiking partner, no travel companion, no buddy. She wasn’t looking for a friend just yet; first and foremost, she wanted a free guide.

And no one, I wanted to tell her, can guide you on your own Camino. But it would have made no difference. So I walked away.

Nothing personal. Except, of course, it was.

None but ourselves can free our minds.
— Bob Marley

 

 

“affliction clings to the passing of the joyful hours”

 

 

 

 

 

 

 

 

 

 

a salvage job

 

if you do not stop
to give the penny
what blessing
are you missing

 

If I hadn’t taken the river walk through one town, instead of the main street route, I would have missed the artist drawing a river scene. I asked if I could stand near him and see. His pencil scratched delicate and lovely lines onto thick paper in the man’s sketch pad spread open across his lap. He slowly added shadow into the trees on the hill, and underneath the bridge arches.

Darkness is the illustration of depth. We must add contrast to give dimension; deep shadow allows the surfaces touched by light to rise, come forward. All this the artist did, effortlessly.

The river walk was a boardwalk along several stretches, paved sidewalk along others. The boardwalk stayed damp and slippery, however, so some ingenious worker had added a mat of chicken wire over the boards, creating traction. The design was fascinating, and I could see old rust marks from earlier layers of wire mesh now worn away.

The pressure of touch is a contrast of forces, and can easily slip away, or leave a mark, if the forces are out of balance. Sometimes, both. All this I knew, only too well. Effortlessly, now.

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By eleven in the morning, my day had already been intense, moving and transcendent.

At 4am, the older man in our room at the Oviedo albergue had a stroke or heart attack, slowly falling from his bunk in total darkness, unresponsive to his partner as she called his name over and over into the unrelenting black. Michael. Michael.

We snapped on the cruel overhead light, and found him curled up, slumped on the floor. His partner called for emergency assistance. The albergue staff were all gone for the night. I told her no food or water, and went to open the locked gates for the ambulance crew. I assured them the partner spoke Spanish as I led the way up endless narrow stairs.

The albergue appeared to be part of an old prison or an old monastery, a wedded complex of multiple buildings. Earlier in the evening, the church next door was filled with singing, in Latin and Spanish, hymns and simple folk tunes of faith wafting from their open windows, lulling me to sleep beneath mine.

Now Michael was on his way to the hospital. The girl from Mexico had been badly scared by the whole event, so we talked a bit afterward. I reassured her that he was in the best hands now, and her shaky breathing eased, so that we lay down and slept again until 8am. At 9am, readying to leave, we found out he was out of the hospital, as his tests had all come back fine. He was deemed okay for discharge, according to his partner, even though neither the girl from Mexico nor I thought he was really okay. His partner had told the girl that Michael wanted to continue walking. The girl was upset at this idea; however, we finally settled on a truth we could both immediately acknowledge: each person chooses his own Camino.

I had planned to crash the Sunday morning mass at the Catedral de San Salvador, the Oviedo Cathedral Basilica on the central plaza, just for the experience. Now I felt like I needed it. I figured my pilgrim’s backpack and walking stick ought to get me in, plus “no hablo Español.” It wasn’t like Catholics were card-carrying or had a secret handshake at the speakeasy door; surely a showered peregrina could attend.

Just before 10am, I entered the main doors. Leaving everything I owned behind, my backpack tucked in a shadowy corner of the narthex, and leaning Saint Thomas beside it for protection, I stepped forward into the cathedral itself to see the main altar.

Designed to illustrate the Bible for non-readers of the early 1500’s, it was gilded, floor to ceiling, filled with outlined biblical scenes in a three-dimensional quilt of painted relief sculptures.

For me, after a long night watching Life and Death haggle over the price of a man, it shone. Not the illustrated Christian stories themselves, or the Bible per se, and certainly not the Catholic Church’s long and terrible history of conquest and oppression. The altar was simply about some human being, some man, alive centuries ago, making a creation of beauty with his warm, living hands.

The Virgen de Covadonga, patron saint of Asturias, stood serene, front and center in her turquoise and white, as all of humanity’s struggles, triumphs, and agonies played out behind her turned back. Michael shakily stepping off again on the Camino, the girl from Mexico breaking in her new boots as she started her journey, me heading inland, inward, into the oldest heart of the Camino.

San Salvador means “Holy Savior.” One definition of a savior is someone who salvages what they can. I thought of a beachcomber after a shipwreck, pulling cargo and gear, survivors and the unlucky, ashore. Sometimes, it’s hard to tell which is which. You’re too busy saving what you can to sort it out in the moment.

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I learned a useful distinction in my 20’s, and had been repurposing it for decades ever since. Sometimes, in the still quiet of utter darkness, you hear something, a song, words, your own unassailable voice from the center of your heart. When you hear it, you must listen. These will be words to live by.

Back then, sitting at my dining table, hands flat in front of me, feet flat on the floor, back tall and square in my chair, I held myself in a posture of alignment with Fate, the copious handful of pills I had swallowed already beginning to take effect by producing the most solid calm I have ever experienced.

And that was when my own mind spoke to me: I don’t want my life to end. I want THIS life to end.

In those dark days, I had believed lies, lies upon lies, that I was damaged, defective, ruined. A beautiful wreck that could not be salvaged, slowly sinking into oblivion beyond the shore. But the truth was light, rising above the storm, here in the mind’s eye. Deep shadow allows the surfaces touched by light to rise, come forward.

Eye of the storm; eye of wisdom.

When you know you have heard the truth, decision-making becomes easy. Slurring into the phone, I calmly called for help. And lying in the emergency room, swallowing a tube to pump my stomach, I felt fine, listening to my own breathing, in and out, around the plastic lifeline that saved me from lies.

Recovering in the intensive care unit, I felt bad only because I knew I did not need to be there. The hospital’s young psychiatrist was sweating nervously when he met with me, but I reassured him that I was feeling better and would follow up on his counseling recommendations; relieved, he left quickly.

The older hospital chaplain and I had quite a longer talk. I hadn’t converted or found God or seen a beachside apparition of the Virgin Mary (yet). I was just a Buddhist who hadn’t believed the core tenant of Buddhism, because I hadn’t really experienced it: basic goodness. That Life is, at its essence, a constant energy for good. The chaplain and I agreed, too: shit happens. Doesn’t mean that Life Itself isn’t good. Contrast gives dimension, sometimes beautifully, sometimes shockingly, sometimes tragically: it’s a matter of where you choose to focus your gaze, what you allow to rise.

It’s not about ignoring; it’s about how we decide to spend the time we get. Stripped of all our assets, skills, talents, then focus is ultimately all we have; caring attention is what we can give.

“How did you come to this place, this frame of mind, today?” he asked me.

“I woke up. And looking out that window, I know it sounds, trite…cliche…but I was…amazed, at the blue, blue sky. Amazed. It was so blue. And I thought: this day would have happened, with or without me. I would have missed it, this morning I want to remember forever. And that’s when I realized that I’d never made a commitment to be here. You know? I was always kind of one foot in, one foot out, hating my life. So I decided. I’m going to be here, no matter what. I’m going to live, every single day, until I die.”

He looked at me funny, probably trying to see if I was serious, or lying, or trying to appease him, or just weird. “Barbara,” he said, finally, “you’re gonna be all right.”

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The Holy Savior’s Cathedral in Oviedo was a collection of tiny chapels added one by one onto each other, holding together, growing in faith as it became a great basilica. The original starting point of the original Camino dating from the late 700s-early 800s, it became a required detour in the Middle Ages for pilgrims. It was said,

“Who goes to Santiago, but not to Salvador,
visits the servant but not the Lord.”

For me, the Lord was Life. And Life had many servants – Joy. Compassion. Love. As I thought about Michael’s fall in the night at the albergue, I felt the sobering weight of the reality that our lives end. They do. I remembered all the homeless people I had met over my years of work, hopeless and defeated, considering the very choices I had made, to keep that formal date with Fate, to slip away, to fall in the darkness and not return.

And then I remembered all of those people I had sat with, one by one in my office, hoping to give time and attention to their stories, wanting to hear them out. When I was patient, and lucky, they sometimes gave me the gift of their trust, letting me have a peek into their lives.

I had been given a gift as well, to share in exchange with them: those words. After all the story had been told and I thanked them for telling it, after men grown battle-hardened and street-weary had cried into their dirt-lined hands, when the space between us had once again become still, quiet, I would finally ask, “So…do you really want your life to end? Or do you want THIS life to end? Which do you think it is?”

Words to live by. For me, and now for countless homeless men and women. I felt so lucky, to have a low-down, gritty commonality that mattered in that moment. I felt grateful to the pills, and to the stomach pump. I never told my story; I just passed along the words that had kept me living.

And they kept living. Many decided to change their focus. Many changed their lives.

They certainly changed mine. They touched me, deeply. I understood what they were saying, and in turn, I finally connected, with other human beings. A child without a safe home is a homeless child, whether they still live in that house, or not. You can carry that house with you for a long time, still homeless.

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While I stood before the great altar, I noticed people ducking into one of the side chapels. Another couple. An older man. Tourists, locals. Intrigued, I followed.

It was the 10am mass, in a smaller, more intimate chapel that was still breathtakingly beautiful. Old stone arches rose above us in our humble wooden pews, windows high above streaming filtered morning sunlight down upon us. The service was in Spanish.
I understood snippets of the words of the Lord’s Prayer, our pan de dia, and thought of peregrinos along the Camino breaking baguettes of bread to share with one another.

We stood and offered each other peace, shaking hands across bench backs and aisles, turning to shake hands behind me as well. Communion was offered, and I thought this might be the best time to leave, slip away. But watching a line of the faithful slowly moving forward up the center aisle, I heard a voice.

Somewhere behind me, a woman began singing. An operatic voice, clear, sweet, gorgeous. I turned ever so slightly to look, and saw that it was the young woman I had just shaken hands with, smiled with, offering each other peace.

Now, she gave us this gift. She sang two songs, one I did not recognize, but one I did. “Ave Maria.” Hail Mary. Crying Out to The Great Mother of Mercy. She Who Hears The Cries of The World.

I just sat, transfixed, like everyone else who did not go forward. I would have missed an experience I wanted to remember forever. A voice that brought tears to my eyes, and did again as I was writing in my notebook over coffee, reliving the moment. Life affirming, transcendent. This feeling of the sacred worth, the basic goodness of Life – this was why people created religions, and why others created art.

And why some sit in small offices, talking to homeless people about the meaning of life. It’s all a Hail Mary, this existence…a beautiful, holy salvage job.

Hail Mary, Full of Grace
God is with thee
Blessed art thou amongst women
And blessed is the fruit of thy womb, Jesus

Holy Mary, Holy Mary
Pray for us sinners
Now and in
The hour of our death

Ave Maria

 

 

walking man

 

moving in silent desperation
keeping an eye on the Holy Land
a hypothetical destination
say, who is this walking man?

— James Taylor, “Walking Man”

Walking Man passed me again, suddenly strolling by out of nowhere with his long legs, easy stride, browned chest, and pale blue turban to keep what I suspected was a bald head covered from the sun. Long and lean, his sinewy arms and legs were built for trekking. Walking Man never said a word except “Hello,” each time he passed, or I passed him as he sat drinking coffee at a cafe, or he passed me again within an hour.

A Northern European by appearance, he carried an altogether different air than any of the peregrinos I had met. So when I came upon him sitting on a rock in a shady patch of trail, I said “Hello” – and this time, I stopped. Walking Man was taking a break, and offered me pistachios.

His name was Jan. He was Dutch, but told me he lived in the Caribbean, where he grew up. At age 4, his parents put him in a baby seat and biked all over Europe with him. So he had truly been traveling the world his entire life. I looked forward to talking more, hearing how all this travel had shaped his life, who he had become now. But the day was heating up, so I left him in the shade, confident he would pass me again later.

The heat was stifling, the humid air crackling like electricity on my upper lip and burning at my nostrils. Inspired by Jan, I wrapped my long cotton scarf over my head, not like a turban, but like a hood. Feeling very Lawrence of Arabia as I pulled it forward to shade my forehead, I continued on. It was so much cooler, I smiled. Air flowed under my scarf and around my head like a shimmering mirage of an oasis ahead, and my neck and shoulders instantly relaxed. The afternoon heat continued, relentlessly.

well the leaves have come to turning
and the goose has gone to fly
and bridges are for burning
so don’t you let that yearning pass you by
walking man
walking man walks
any other man stops and talks
but the walking man walks

— James Taylor, “Walking Man”

Around 2:30pm, I walked past the fenced courtyard of a home. Within, a large family was gathered for lunch at outdoor tables under tall trees. I was hailed to come in by the gate. As the mother opened it, she asked, “Agua? Agua?” and so, giving her my water bottles, she filled them with water – and ice.

Meanwhile, I was invited to the tables with aunts and uncles, cousins and siblings, where the father offered, “Sidra?” And so, turning himself nearly horizontal, he poured the regional apple cider from as high as his hand could reach, down into a cider glass in his lower hand, a waterfall of crisp, delicious bubbles. I sat and asked how old the chubby, dark-haired babies were, tickling them under their fat chins until they giggled, drank my sidra, and, completely refreshed, bid them all muchas gracias and adios as they called buen camino and buen viaje.

well the frost is on the pumpkin
and the hay is in the barn
pappy’s come to rambling on
stumbling around drunk down on the farm
and the walking man walks
doesn’t know nothing at all

— James Taylor, “Walking Man”

Soon after, Jan caught up to me. I told him how the family had invited me in for cider, had given me ice water. He smiled indulgently, and I felt like the novice I was, just getting my feet wet in the wide world. “Buen Camino,” he said kindly, and strode away. I never saw him again.

any other man stops and talks
but the walking man walks on by
walk on by

— James Taylor, “Walking Man”

Before Pola, two white-haired grannies walking together on the road let me take their photo. They scolded me that Oviedo was too far to walk in this heat, and I should stop in Pola. But Pola was a rundown, depressing industrial town, and not a soul smiled as I walked through. I pushed on.

most everybody got seed to sow
it ain’t always easy for a weed to grow, oh no
so he don’t hoe the row for no one

— James Taylor, “Walking Man”

By 5pm, I reached Oviedo. It had its rundown areas, too, some so sketchy I was glad it was still daylight as I was walking through. Up, up, up a hill, arriba alto, to the catedral, the locals told me. My legs slowly climbed the paved sidewalks, still radiating heat. My water was nearly gone; I drank twice my normal two liters to make my hike under the intense Asturian sun.

At a busy intersection, I stopped for a traffic light, looking for Camino arrows or scallop shells to point me toward the albergue. Three peregrinos stood beside me, talking in accented English about the same thing. I asked if they knew where it was, and they said yes, I could follow them.

We walked up narrow, steep streets into the old city, and around a corner, I found myself on the plaza in front of the cathedral. Their photo op accomplished, one young man said he would show me the way. As we climbed more streets, we both became somewhat confused as to where we were. We stopped at a bar and he asked the barman for directions.

“Just down that street, you can’t miss it,” the man said in English, pointing slightly downhill. We thanked him and set off again. Within a minute, we knew we had been given Spanish Directions: it is apparently socially awkward to be caught unable to direct someone to where they need to go, so Spaniards have a tendency to bluff, giving very clear but completely wrong directions. We turned around.

“Don’t believe when you’re told the next stop is 2 km, either,” I told the young man. “It’s miraculously, always, exactly 2 km.” We laughed as we huffed up another steep street.

for sure he’s always missing
and something ain’t never quite right
ah but who would want to listen to him
kissin’ his existence good night

— James Taylor, “Walking Man”

By the time we recognized the street names near the albergue, my legs were exhausted from the long day’s extreme heat and hills. The young man offered me his walking stick, as well, when I struggled to climb a long series of steps to our destination. Grateful, I thanked him and accepted. That was smart; I immediately found my feet again, and we located the gate to the albergue within minutes.

I gave him back his stick, and he wished me “Buen Camino,” turning to leave.

“Aren’t you coming in?” I asked.

“No, we have a hotel room,” he smiled.

“Oh no, I’m so sorry! I thought you were trying to find the albergue, too,” I apologized.

“Buen Camino, peregrina,” he smiled again. And away he went, disappearing down the hills.

walking man
walk on by my door
any other man stops and talks
but not the walking man

— James Taylor, “Walking Man”

As I checked in at the albergue, I was given a second credencial for sellos, as my first one was full. An Oviedo stamp ended my first booklet, and another started my second. I looked back at all the places I had already been, stamps with shells and crosses, images of saints and pilgrims interchangeable across the folds.

The Norte was now officially done. I thought of all the people I probably would never see again, people I had met and walked with, talked for hours and laughed with, made decisions with, eaten with, slept side by side. Some had already passed on ahead of me, some had gone home; many would continue on the Norte to the end.

We were all just walking allegories of our lives, each finding our way. I was learning to stop and meet people, in gratitude and in wonder; yet I wished I had asked them more, about their lives, about their ideas about life in general. Too soon, they walked away, without my realizing the crossing of our paths was over.

I was hoping one day to be a white-haired granny walking arm-in-arm with a friend, indulgently scolding younger people for their hurry through these, our only days.

Or I might just say, “Buen Camino, peregrina.” Each her own Camino, wherever she may be bound.

he’s the walking man, born to walk
walk on, walking man
well now, would he have wings to fly
would he be free?
golden wings against the sky, walking man
walk on by
so long, walking man

— James Taylor, “Walking Man”

 

 

Gorma Tales of the Camino: The Tree of Everything

Gorma woke up very gently, the morning she arose in the loveliest albergue on the Camino. The sun was just starting to awaken, and so, too, the chickens in the yard, and the birds in the trees. The dogs stretched, one by one, each standing and stretching its legs, one by one, until all the legs were awake as well, and then they all trotted off down the lane, dog by dog by dog.

By the time the rooster crowed his good morning to the farmyard, Gorma was sipping her coffee in the warm farmhouse kitchen. For you see, this albergue was simply beds for weary travelers offered by a hardworking family – right in their own home! When Gorma had commented on this amazing situation the evening before, while the travelers ate supper grown from the garden and cooked by the family, the mother Marisa would say, “It is only a simple house, nothing more.” But it was something more, as Gorma well knew, for her sleep was as deep as this rich morning coffee, she woke as refreshed as the warm, soothing shower, and was delighted by the delicious cake for breakfast, baked fresh in the earliest hours of the day, well before dawn, sprinkled with the sweetness of children’s dreams.

The father of the house, Gaizka, joined Gorma for coffee and reminded her, “Now, Gorma, Gorma, do not forget all we talked about last night at supper. For we here in the North of the Country of the Heart, we are the keepers of the Freedom of the Heart, and the Freedom of the Heart is Honor, as you know. Do not forget to see the Tree of Honor, which for us is the Tree of Life, and so the Tree of Everything. For at the Tree of Honor, our fathers’ fathers and mothers’ mothers swore to keep the heart of this country free, always, and always we will do so. It is our most important symbol, this tree. You will find it surrounded by a glimmering circle of silver, and blanketed in velvet green, like the noble of our land that it is. Before you leave these high hills, you must see it, Gorma.”

“I will see the tree, Gaizka,” Gorma replied seriously, “for I already know the power it has over the people and this land. It is the magic I have sensed ever since I arrived in your beautiful farmhouse.”

“This is only a simple house, Gorma, nothing more,” Gaizka said, raising his arms and spreading his hands like a great tree, to show the utmost honesty, no magic tricks then being played.

“Oh no, it is much more, and has the Tree of Honor to thank for it. But I must be on my way.”

So Gorma shook hands with Gaizka and hugged Marisa and walked down the dirt road with Saint Thomas, her walking stick. She saw many, many trees, hillsides of trees sometimes, but none encircled by glimmering silver and blanketed in the velvet green of a noble.

Soon, the day became hot, so Gorma stopped by the side of the road, sitting in a shady patch of grass. She ate her bread and cheese, then looked in her bag one more time. “No fruit,” she said aloud, and reached for her water jug.

“Well, Gorma, would you like an apple or a pear?” asked a voice quite close behind her. Gorma turned, and saw that the shady patch was due to a most beautiful old tree. Two smaller trunks had twisted round each other many years ago, when they were young, and now this tree curved gracefully, with full and arcing branches. Gorma saw that on one side of the tree grew apples, and on the other side grew pears. A blanket of velvety moss grew up and into the entwined trunks, and a clear stream circled the tree before flowing down the hills, flashing silver in the midday sun.

“Are you the Tree of Everything?” Gorma asked, realizing who had spoken to her.

“Well, I don’t know about everything, but we have apples, and pears. So we have more than most.” The apple half was Antoine, and the pear half was Pauline, planted side by side quite by chance many years ago. And then, growing quickly as all young things do, and chasing the sun through the course of each day, they’d ended up twirled round each other in this wondrously woven way, once two, now one.

“What does a Tree of Everything look like?” asked Antoine curiously.

So Gorma told them, “It is old, and strong, surrounded by a glimmering circle of silver, and blanketed in velvet green, like a noble of this land.”

Pauline and Antoine laughed and laughed. “Oh, Gorma, Gorma, we have only this little stream, and a blanket of moss. But we have been standing here as long as the little village down the road. So I guess we are a bit old, and a bit strong at that, if only stubbornly so,” Antoine replied, smiling.

“Tell us, Gorma, what does a Tree of Everything do?” asked Pauline, for she was most productive with her pears.

So Gorma told them, “The Tree of Everything is the Tree of Honor, where the fathers’ fathers and the mothers’ mothers swore to keep the Heart free, always, and always will do so.”

Pauline and Antoine laughed and laughed again. “Oh, Gorma, Gorma, we are just a village tree. Although, one time, a village boy fell in love with a village girl, standing right where you are now. He knew she brought her family’s cows here to drink from our stream, and nibble fallen pears and fallen apples, so he began to leave her love notes, here – just here,” replied Pauline, and showed a space between their two trunks that was still open and apart, like a pocket.

“And then what happened?” Gorma asked, snacking on the apple Antoine handed her.

“Oh, Gorma, Gorma, it was just so beautiful,” Antoine sighed, and Pauline nodded. “Here they made vows, with the village gathered round, and the birds all sang, flowers blooming everywhere….”

“They pledged their love, Gorma, here, just here,” added Pauline, and showed a space of smooth, clean stone beneath the moss. “I hear that they have children now, a family, but their house is a distance yet from here.”

“Ah, just so beautiful it was, Gorma, the wedding of sweet Marisa and young Gaizka,” and Antoine sighed dreamily again.

Then Gorma smiled, and hugged the tree, and all three laughed together in joy as Gorma told them of Marisa’s house, and of all Gaizka had said, and how the children tend the chickens and chase the dogs. For the magic of the “simple house and nothing more” was that it was a home, a real home, bound by honor, which is the solid stone beneath all love.

Pauline agreed. “And honor in a home allows a space for two to live as one, and still be two -”

“- like me and you,” added Antoine to his Pauline.

“Like me and you,” agreed Pauline with her Antoine.

“So to this village, and that family, you have become the Tree of Everything, for you have heard the vows, and held the honor of the freedom of the heart within you, in openness and joy. Thank you for shade, and for apples, and pears, and for laughter, and for sweet places for love notes and stories,” added Gorma, as she packed her bag to travel on. Then Pauline gave her a perfect pear, which she took along with a fresh jug of water from the stream, and waved goodbye.

Gorma walked on, quiet and smiling, munching on her pear. She arrived at the next albergue just in time for a bed, for which she was very grateful, and she slept deeply. Outside, the trees sighed happily in the soft breezes of the night, and somewhere tucked away among the high hills, the great Tree of Everything watched over all.

Buen Camino, Antoine and Pauline.